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It is the creation of mkuette second realism. The instructions for the scenery, sounds, noises, movements and actors demonstrate the idea that this theatre should be based on being and life, not on a playing-game. Une intrigue bien mince pour un enjeu aussi vital.

Tchekhov-La Mouette

The main condition was that the young heroine should not notice the affair of her mother and Trigorin. The cast in the Alexander Theatre was really impressive, even the great actress of the period, Comissarjevskaya played a role. We need to discuss a particular problem; I won’t keep you long. La Mouette d’ Anton P.

Chekhov, who has for a long time fled from Saint Petersburg, and could read the enthusiastic and therefore far too doubtful reassurance in the letters of his friends, was fully aware of the situation. What kind of person was Trigorin, then? Two years later Nemirovich-Danchenko moiette in love with the play and persuaded Stanislavsky to make the performance. Let me know when you arrive to Moscow.

La Mouette de Tchekhov – Avignon 2012

Tous le savent, acteurs, public et presse. Everybody was perplexed, the general atmosphere was anything, but not cheerful. Here everybody says that you have borrowed the Seagull from my life, and they also say that you’re upbraiding someone else here, too!


Many were trying to find its reasons. They had a detailed correspondence about this problem, dealing with even the deleting or substitution of certain conjunctions. Chekhov wrote in December to Suvorin: Stanislavsky played the role of Trigorin for seven years; he transformed the role in Nuits blanches et crises de nerfs. It seems that he has misunderstood the play. The voice of the actress was hardly even heard in the general pandemonium Jamais le public de Moscou n’avait vu pareil spectacle.

Mouete in Suvorin’s diary, 11th February, Not the director, but the actor was unsatisfying. Since then this realism stays in theatre as some kind of illness or virtue?

Chekhov has condensed many autobiographical elements in this character, too, but the critics didn’t notice it at the beginning. The date of the premiere was 17th Ka According to the critics the other weak interpretation of the play was Trigorin, performed by Stanislavsky. Comedy, three female and six male roles, four acts, a landscape a panorama of the lakemany discussions about literature, little action, five pounds of love.

All the critics considered it important to mention Masha. A part of the innovations have become routines since then, they have been used up. Nobody understood the play except Comissarjevskaya, one of the most prominent personalities of Russian theatrical art, who played Nina, and received the text four days!


As if given the cue, the entire audience started to whistle, laugh, hiss and beat with the feet. Here is one typical example out of the many, written by an otherwise important literary critic: He left with the first freight car to Melihovo.

At that moment Stanislavsky neither has liked, nor has understood the play. Most of the critics considered that the play has failed because it was a weak drama.

And all the efforts, all the strains of this tiny little art seem to be pathologically piteous The Seagull has failed for the first time muoette the premiere. The first objection was that Potapenko the seducer of Lika was easily discernible in the figure of the famous writer, Trigorin.

La Mouette de Tchekhov – Avignon

There were only a few rehearsals before the performance. Thus I will have at least a little hope left. Don’t fear to stay at my place. The author has disappeared in the meantime. He wanted to liquidate the empty stage, the proscenium.

He started to love and understand the play while writing about it. My play, the Seagull was presented today at the Alexandrinsky Theatre. The performance turned out to be a scandal; even experienced old men of literature as Suvorin agreed in never ever having seen such a horror.